best cine zoom lens
Plus Irix Cine Lenses are available in most of the major mounts like EF, E, MFT and PL. If I had to pick a favorite, I would either pick the Zeiss CZ.2 line or Fujinon Premista line. We also use third-party cookies that help us analyze and understand how you use this website. Constant aperture. As a comparison, here is what a couple of other cine zoom lenses with similar focal ranges weigh: Description (from Canon): Cinema Zoom Lens CN-E30-105mm T2.8 L SP (PL mount) rivals best-in-class zoom magnification and mid-range focal lengths for the Super 35mm format, and is engineered to offer superb 4K optical performance for demanding high-end productions, meeting and exceeding industry standards. Something unique about the cine lens is that it is compatible with Sony's autofocus system found on Alpha cameras and larger camcorders like the FX9 and FX6. The OOOM 25-100mm T2.9 is their first cine zoom lens, and we're quite impressed by the release. Canon now has three CINE-SERVO zooms that cover a range from 17mm out to a whopping 1500mm (if you engage the 1.5x extender on the 50-1000mm). The Sigma Cine T2 series is a re-housing of the wildly popular Sigma Art lenses. Several features of a cine lens separate it from a still lens. The focus, aperture, and zoom rings tend to have standard 0.8m gears designed for follow focus systems. ARRI introduces this new lightweight lens to its popular line of modern zooms. Exclusive Bonus: Download 4 cinematic LUTs for the Sony a7S III, for free. The lenses are sharp when wide open and the T2.0 aperture is going to get you by shooting in low light. 28mm normally translates to 56mm in 2x anamorphic, In APS-C mode, 28mm becomes a 42mm equivalent. With Super 35 coverage and a 9-blade aperture design, the lens provides a 300° focus throw with minimal breathing for a smooth, buttery rack focus. Another set of lenses No Film School wishes they could give everyone for free. In terms of quality, cine lenses aim to keep focus breathing, distortion, and aberrations down to a minimum, even more so than a still lens. The Canon/Nikon 70-200mm zooms are the most popular professional zooms, … Now that we know a little more about these mounts, let’s get into some of the best Canon camera lenses. If you need to compromise on any of these, then it must be offset by better image quality than those listed below. The Sigma Cine T2 series includes two zoom lenses at the focal lengths of 18-35mm and 50-100mm. They have cam-driven focus rotations of 180 degrees for smooth focus pulls and standard gear positions for … I absolutely recommend them, as long as you know what you’re getting into. Finally, if the outer diameter isn’t the same size, you will need different matte box adapters for each lens change. The Blackmagic Pocket and Panasonic GH series are very popular among the indie crowd and content creators. But if you look into renting the kits, there is a chance you could rent the Canon cine lenses for $200 a day, or even for an entire weekend. But opting out of some of these cookies may have an effect on your browsing experience. The ZEISS Cinema Zoom lenses deliver great flexibility thanks to interchangeable mounts, allowing them to be used with a wide range of cameras from multiple manufacturers. Necessary cookies are absolutely essential for the website to function properly. Cine lenses or cinema lenses are specifically designed to meet the specific demands of filmmaking. 24mm Lens. It has a minimum focus distance of 1.08’/33cm. Click here to read my comparison of full frame lenses for large format sensors. The servo motor unit can be easily removed, but attached, it's ideal for documentary and ENG shooters. Multi-Layer Coating to Reduce Flare. Meike is also starting to develop full-frame cine primes for Sony E, and Sigma has an FF Zoom in a 24-35mm T2.2. Top 20 Best Budget Lenses 2020. This year there was a plethora of lenses released. It boasts the highest … You also have the option to opt-out of these cookies. Controversial Erotic Thriller '365 Days' Gets Part 2 & Part 3 at Netflix, Jerry Bruckheimer Reacts to the Tarantino Scene About 'Top Gun's Gay Subtext, holy-shit-I-wish-I-could-afford-this-lens. The lens touts an 11-blade aperture design with a beautifully round bokeh at all apertures. These are just some of the cine lenses that are available for full-frame image capture. First Step into Professional Photography. Here’s an example with a 28mm lens: This is why you have some manufacturers bringing out 1.8x anamorphic lenses, like the Cooke Anamorphic/i Full Frame Plus Prime Lens: You get a range from 32mm to 180mm at a T2.3 average. Constant aperture at T3.1, which is fine for the Sony FX3 (, You get a lot of the functionality with the. Focal Length: 23mm (35mm equivalent) Dimensions: 2.83 x 2.83 … Buy it on Amazon.com. Description (from Canon): Cinema Zoom Lens CN-E15.5-47mm T2.8 L SP (PL mount) rivals best-in-class zoom magnification and wide-angle focal length range for the Super 35mm format, and is engineered to offer superb 4K optical performance for demanding high-end productions, meeting and exceeding industry standards. Best All-in-one Zoom Lens for Panasonic GH5. The Best Lenses for the Sony FX3 for Video, 4 Must-have Video Accessories for the Sony FX3. The T2.9 aperture is quite fast too and stays constant throughout the focal range. All things considered, I prefer the PL mount. Part of the G Master series, the FE C 16-35mm T3.1 G has all the optical features you want to repress aberrations, distortion, field curvature, and astigmatism. The zoom is switchable from manual to servo allowing you to attach the included servo unit when needed. A cine lens will generally have a T-stop aperture, which is a measurement of the light that's transmitted through the lens, whereas an F-stop is a ratio based on the focal length and the opening of the lens. While technically not available until next year, it's hard to not mention the Premista 19-45mm T2.9. If I had to pick, I would go with the Zeiss CP.3 (Amazon, B&H) line, no doubt. Sony has two cine zooms in its lineup: Sony FE PZ 28-135mm f/4 G OSS (Amazon, B&H) Sony FE C 16-35mm T3.1 G (Amazon, B&H) Advantages of the 28-135mm: Powered but silent zoom (SSM). The set offers focal lengths of 25mm, 35mm, 50mm, 75mm, 100mm, and 125mm at T2.1 as well as a 90mm T2.8 Macro (1:1.5) lens, covering large-format sensors up to 46.5mm, making them an option for RED DSMC2, ARRI Alexa LF, Panasonic VariCam LT, and Sony VENICE, or with any full-frame DSLR and mirrorless camera. As much as we love Sigma too, the lenses are everywhere because of the price point. Given a choice, cine lenses are better off with the PL mount. Each MFT focal length is priced around $3,250. It's 100+ pages on what you need to know to make beautiful, inexpensive movies using a DSLR. Covers Full-Frame Sensors. The best online film school for serious filmmakers. There’s value in vintage still lenses. In other cases, it stays within the same lens type while still offering a range variation. The CINE-SERVO 25-250mm T2.95-3.9 covers S35 sized sensors and it slots in between the existing CN7x17 KAS S Cine-Servo 17-120mm T2.95 and the CINE-SERVO 50-1000mm T5.0-8.9. The 25-75mm T2.9 joins the 11-20mm and 50-135mm zooms, making the trio a solid option for Super 35 image capture. As you'd expect with cine lenses, the series has standard 0.8 mod gears for both focus and aperture rings making it focus system friendly. B&H # 2210422 MFR # DS24M-NEX. This lens is one of … This is where cine-mods make sense. It is for the video shooter for whom convenience of zooms with servo outweigh all the negatives. Zoom lenses are great if you're looking for something with adjustable focal length. If you need help in understanding how a cine lens is different to a still camera lens, read what is a cine lens and how is it different from photo lenses? Designed for any large-format or Super 35 camera, they are uniformly fast at T2.8 and offer an unrivalled focal length range. It's become the de facto look online, and while that's not a bad thing, it's always nice to see something unique. … Each lens is available in different mounts including Sony E, Canon RF, and Fujifilm, and clock in between $449 and $749, or you can scoop up the entire set for $2,500. Lastly, it also color matches with its zoom cousins (below). This means it includes the same coveted look of the Art lenses, as well as all the features of modern cinema lenses. What hasn't this company been doing this year? This lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor. Both lenses share the unique characteristics that made the Alura Studio Zooms best-sellers with high optical quality in a robust housing and a high contrast through minimized flares and veiling glare. With 60x zoom, in-body stabilization, and a quality build, the Panasonic Lumix DC-FZ80 is our top choice for just about any user. Canon EF 7-300 f/4-5.6 IS II … It seems unlikely that any manufacturer will make great cine lenses in the sub-$1,000 price range, so the next best option is to modify a still lens for cinema work. Assuming you have an excellent adapter that has been shimmed for focus accuracy, it also allows you these benefits: If you have a limited budget, then don’t look further than a Rokinon Cine DSX prime set (Amazon, B&H): I would start with the four lens set: 24mm, 35mm, 50mm and 85mm T1.5. Even with that understanding, we're not suggesting that cine lenses are better than still lenses. T1.5 to T22 Exposure Range. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Their large image circle of 31.5mm means that they are optimized for all current digital- and film cameras and include the ARRI Lens Data System. Still the best bang for the buck in our opinion! Not really that wide at 28mm, and not really that telephoto at 135mm. For most of us, this is a holy-shit-I-wish-I-could-afford-this-lens. Two zoom lenses are all you need for professional cinematography. The E mount isn’t really designed to hold heavy cine lenses, especially zooms. It’s wide enough, or tight enough, for just about any situation, plus the f/2.8 max aperture across the entire zoom range lets a good amount of light in. Canon EF 70-300mm f/4-5.6 IS II: Best Canon Lens for Taking Stills. De-clicked aperture. I hope you’ve found my suggestions useful. See All Details. For example, a 10-24mm is a wide-angle zoom lens. line offers the most focal lengths, if you want the entire range, that is. The 5 Best Cameras for Under $250 in 2021. Century Optics DS-1609/WS-13 1.33x: Extremely compact lens. We've always enjoyed Tokina lenses. We use them on every shoot and they ROCK! We recommend this lens for travel, despite the fact there are others with longer zoom ranges. Sigma Cine Lens 18-35mm T2.0. Better brand recognition, rental and resale value. They’re designed with full-frame cameras, covering the full sensor. Sigma 40mm T1.5 FF High-Speed Prime Lens 24, 35, 50, 85mm Cine-Style Lenses. If I’ve missed an important lens please let me know in the comments below. These cookies do not store any personal information. However, all PL-mount lenses must interface with an adapter, so the adapter must be strong, stable and must provide good support so the E mount is not strained. Accompanying and matching ARRI Signature Primes, the four new Signature Zoom lenses render the most natural and beautiful images ever seen from a cine zoom. That in itself is why cine lenses catch a higher price point. They've added a 35mm T2.1, and by August of next year, they'll complete the set with 7 focal lengths total from 14mm to 135mm. Different Types of Cinema Lenses. It is mandatory to procure user consent prior to running these cookies on your website. So when it comes to features like autofocus, optical image stabilization, size, and weight, a still lens is going to have an edge. CINE-SERVO. Every model in Sigma’s Cine lens portfolio is weatherproof and has luminous paint markings to make them easier to read. This is Sony's first jump into a full-frame zoom lens. Irix Cine Lenses are a good choice for novice to professional filmmakers and they retail for a fraction of the cost of higher-end lenses. That saves a lot of time on set. Is parfocal. The digital drive unit can also be removed if you want to make the lens even lighter. If you're looking for affordable cine lenses, be sure to check Meike out as an alternative option. This website uses cookies to improve your experience. Fujinon MK Cine Zoom Lenses. The VDSLR MK2 line (, carries over similar image characteristics, including color rendition, controllable flare with minimal ghosting, and reduced distortion throughout the entire zoom range. Should you stick to the Sony E mount, or should you opt for a better mount? Not only are they releasing MFT lenses, but they're introducing new focal lengths for Super 35 and large format. If you are looking to keep updated on all the new gear from the major manufacturers and learn how to use all of this cool tech to advance your craft subscribe to the channel! Thes MSRP on a lot of these lenses may be too steep for your production. What happens if you use 2x on the FX3 (2K, not 4K)? Lastly, it also color matches with its zoom cousins (below). All three lenses have similar optical features including a parfocal design to retain focus while zooming, limited focus breathing, and low distortion. The first in a new class of Canon lenses, the CN-E18-80mm T4.4 cine-servo zoom with EF-mount is a 4K-ready video lens designed for handheld shooting. Many filmmakers looking to keep cash in the bank use still lenses for video with great success. Making a 10x cine zoom that has T2.95-3.9 aperture and weighs under 7 lb is a real engineering feat. When we say ‘cine’ lens, it’s mostly understood we are looking for lenses specially designed for the Sony FX3 (Amazon, B&H) for cinema-type work. Venus Optics is the company behind the brand Laowa and they have a knack for creating unique focal lengths in the wide-angle and macro world in both still and cine lenses. Find anamorphic, cine prime or zoom lenses for rental or purchase (including vintage lenses) some with family color match, standard lengths and gear placement. Vazen Adds New Lens to Full-Frame Anamorphic Lineup. The Fujifilm FX 55-200mm is compact telephoto zoom lens designed to achieve between 84-350 mm equivalent focal-length. Anamorphic lenses can create unique looks and are especially worth considering when shooting low-budget music videos. This is an important consideration. There's also nano AR coating to reduce ghosting and flare. Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. If you’re looking for good-value lenses for a first lens kit, then … © 2021 NONETWORK, LLC. Many manufacturers have come out with full frame cine lenses in the top range. The Sony FX3 (Amazon, B&H) isn’t the perfect camera for anamorphic shooters. Because you have to crop from 3.55 to 2.39, the 84mm becomes a 125mm equivalent!! Better yet, switching between the two series won't be a cause for concern as color rendition across both lineups are similar in look. what is a cine lens and how is it different from photo lenses, Cooke Anamorphic/i Full Frame Plus Prime Lens. All Rights Reserved. To get the same 56mm, working backwards, you’ll need a 12mm anamorphic lens. Get your FREE copy of the eBook called "astonishingly detailed and useful" by Filmmaker Magazine! The 24mm, 35mm, 50mm, and 85mm have aspherical lens elements to reduce aberrations. The lenses have a 46mm image circle, which easily covers full-frame and large format. They're a little under the radar and not too pricey, but for the indie shooter, they might be a little out of reach and fall into the rental-only category. And there's no doubt the GH series will receive ProRes RAW capabilities at some point. Same position for aperture and focus wheels. Cinema Is Changing, But Why Does Martin Scorsese Fear It's Dying? Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. In other cases, it stays within the same lens type while still offering a range variation. Then check out the rest of our Year in Review 2020 coverage for more of our top picks, industry trends, and end-of-year takes. Best cine prime lenses for the Sony a7S III. That’s it! Yes, and no. The lenses are designed for APS-C/Super 35mm cameras. There are few affordable anamorphic lenses available for Micro Four Thirds, and with, having a 2x squeeze, Vazen has set itself apart. Then check out the rest of our. While many creators use still lenses for video, cine lenses are in a class by themselves. What about cine-mods? The T3.1 lens (F2.8) is respectable for its focal range, and as you'd expect in a cinema lens, it has standard 0.8m gears for focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens … Four different orientations, so the focus puller can work more freely. Doesn’t have the “G” rating. If you shoot in 8K, and want to use 2x anamorphic lenses, you’ll get an effective resolution of 5184 x 4320 (1.2:1), so you definitely accomplish a 4K anamorphic finish. On the other side of the spectrum, you can get a telephoto zoom lens… Focus throw is 120° and there are distance scale markers for easy viewing. With the addition of this new zoom, the Premista lineup is rock solid and includes a 28-100mm T2.9 or an 80-250mm T2.9-3.5. With EF mount, the lens is compatible with Canon's autofocus functions including continuous AF, one-shot AF, and focus guides.
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