elton john covers
As Timebomb, Armstrong released a ton of music, both originals and covers, featuring a revolving crew of friends, including a song a day from October 29, 2012 through October 28, 2013. Not that you can blame him — given his background not just as an MC but an encyclopedia-minded DJ, the Biz probably has more than enough musical info up in his brain taking up storage that having to paraphrase an already notoriously half-coherent set of lyrics is pretty excusable. “Bad Side Of The Moon” never made a studio album, but it did hold a pivotal place on Elton’s live album 17-11-70 (11-17-70 in the States) as Side 2’s leadoff cut and the introduce-the-band moment — an underheard gem in a career that eventually left little room for the underheard. John has sold more than 200 million albums worldwide. As for how one of the guitarists who helped build the backbone of rock and R&B’s postwar rhythms fares in a song that originally didn’t actually feature a guitar part? The knock against this record was that it tended to lose something of the original personalities that drove the source material’s true feeling. You want an opening title cut about the Bushido code? My Baby Loves Lovin’ 10. Both released on 6 April 2018, Revamp was described as John's project and features covers of the duo's back catalogue by pop, rock and R&B artists, whereas Restoration was seen as Taupin's project and features covers by country music artists. Let’s just shrug off that baffling ODB/Macy Gray version of the Elton John/Kiki Dee duet and point to this as a prime example of how a hip-hop artist can really upend an Elton John song — aside from via sampling, of course, which Q-Tip already had a career highlight with a couple years back. The Number Ones: Richard Marx’s “Hold On To The Nights”, The Number Ones: Steve Winwood’s “Roll With It”, Shut Up, Dude: This Week’s Best And Worst Comments, Sinéad O’Connor Reveals How Prince Terrorized Her In New Memoir. The sessions would need to be recorded, pressed and packaged very quickly to be on sale in shops the same time as hits they cover. Do you know the lyrics to “Bennie And The Jets”? An advocacy for euthanasia (“Escape From Within”)? Elton John and Years & Years’ Olly Alexander performed at the 2021 BRIT Awards in London tonight, covering the 1987 Pet Shop Boys classic … The special new release of the '80s song is in support of the Elton John AIDS Foundation, with 100% of the proceeds going towards supporting the communities who are most vulnerable to HIV.. Watch the full performance below. Me neither.) Elton John covered Goodbye Yellow Brick Road, Crocodile Rock, Honey Man, Don't Go Breaking My Heart and other songs. Hell, Three Dog Night released their cover of that second album’s “Your Song” a month before John’s original even came out. It was also covered by Deep Wave feat. And wildly divergent reinterpretations, at that — given that The Brave And The Bold features versions of Milton Nascimento’s MPB dopamine shot “Cravo é Canela,” Bruce Springsteen’s slow-burn American epic “Thunder Road,” and The Minutemen’s herky-jerk post-punk anxiety attack “It’s Expected I’m Gone” all off the bat, how can you expect it all to cohere into something unified? Taupin’s lyrics are paraphrased just enough to feel more distinctly personal, where the “old soldier” is reframed as a music lifer who’s made and then outlived the kind of friends who made her life what it is. People then didn't care if it was the same exact songs on the radio, and almost couldn't tell the difference. Released on 6 April through Virgin EMI, Revamp features contributions from many of … We’ve Got A File On You: Juliana Hatfield, MFSB wasted little time in covering themselves, “Before the Money Came (The Battle of Bettye LaVette)”. And then Bush, whose voice has been one of the only vivid connections to the original’s recognizable structure, gets to the line “I’m not the man they think I am at home” (pronoun unchanged) — and then waits another few extra beats to even say “oh no,” stretching out that anticipatory ramp-up to the chorus so that when it finally hits… well, watch the video. Elton John Watch 13-Year-Old Angelina Jordan Stun With Queen Cover on 'America's Got Talent: The Champions' Watch Jordan's take on the Elton John classic below. See more ideas about elton john, elton john album covers, album covers. It’s not the most radical transformation shifting things from euphoric disco to simmering minor-key funk, but those strangely plaintive strings on the chorus really give Lovato something to play off. A fuck you to the PMRC (“Hard On You”)? shredding) and its wild thematic range. Two of American Idol’s greatest soul and gospel artists came together during the show’s Season 11 finale. Sitting behind a piano, the 74-year-old music legend joined the Years and Years frontman for a spine-tingling cover of the Pet Shop Boys' song 'It's a Sin'.. Getting signed to ANTI- and cutting her fantastic record Scene of the Crime with Patterson Hood and Drive-By Truckers certainly helped — as did the narrative around her of a star-quality singer only belatedly getting her due. He never left (after all, it’s hard to look away from clothes that sparkly). https://www.youtube.com/watch?v=-3tu1yTdlQs, My favorite – The Hickoids… from Austin, TX If you’re an aspiring artist and you had one of your lowest-charting early singles given this kind of treatment, who knows how thrilled you’d be. O maior TRIBUTO a Elton John ja realizado no mundo. The first big film to to emerge in the post-Bohemian Rhapsody biopic boom is Rocketman. From his second, self-titled album onward (no one covers songs off his 1969 debut), Elton’s songs have been covered constantly. While the Q-Tip/Demi track comes from Revamp, a scattershot contempo-rock/pop tribute album that ranges from the inspired (Queens Of The Stone Age doing “Goodbye Yellow Brick Road” with accompanying horror-flick synth) to the well-whatever (can one comp sustain Ed Sheeran, Coldplay, and Sam Smith at their sleepiest? It’s playful silliness and stunned melancholy all at once, in a way that doesn’t have to make sense but damn well carves a path to reach a destination at least somewhere close to making sense. Originally a flexidisc included with the second issue of Grand Royal magazine and reissued as part of their The Sounds of Science compilation four years later, the Beastie Boys’ “Bennie and the Jets” has become one of the band’s notable cult hits thanks largely to Biz’s mumbly, mondegreen-filled performance that sounds more or less like what most of us would sound like trying to recall the song from memory, mistaking “electric boots” for “electric boobs” and everything. A simultaneous feeling of past frustration eclipsed by redemption seems to permeate much of Scene of the Crime, largely a covers album with the notable exception of LaVette/Hood cowrite “Before the Money Came (The Battle of Bettye LaVette)” — an autobiographical industry-struggle story immediately preceded on the album by Tumbleweed Connection deep cut “Talking Old Soldiers,” which she inhabits autobiographically in a less specific but more devastating sense. Best so far, at least. Elton John supplemented his income between 1969 and 1970 as one of these session musician, and his voice appears (annonymously) on several of these recorings. Terror”)? Also – and hopefully this is unrelated – it has fared worse at the box office. But in another, more concrete sense, this album is simply her recording with a band that had a spiritual and familial connection to Fame Studios in Muscle Shoals, where she cut the album Child of the Seventies (featuring Patterson Hood’s father and Swampers alumni David on bass) only to see it shelved by Atco. Discover all Elton John's music connections, watch videos, listen to music, discuss and download. Unique Elton John designs on hard and soft cases and covers for iPhone 12, SE, 11, iPhone XS, iPhone X, iPhone 8, & more. A beautifully scrappy guitar and organ ballad, e’s … There’s a fun little recursion somewhere in Elton John paying tribute to Philadelphia International’s trademark proto-disco with “Philadelphia Freedom”, which PIR house band MFSB wasted little time in covering themselves, but this is the earlier and more nuanced example of two not-entirely-distant musical worlds riffing off each other. Elton John and Years & Years' Olly Alexander stole the show at the recent 2021 Brit Awards with a stunning cover of Pet Shop Boys' classic "It's a Sin.". Others I could DEFINITELY do without (Mary J. Blige's "Sorry Seems to be the Hardest Word" is horrible, and Sam Smith's "Daniel" is so slow that it is painful). Elton John - Samples, Covers and Remixes on WhoSampled. A lot of other musicians found, filtered, or honed their voices through them — here are ten of those best moments, including a track each from Revamp and Restoration, the two Elton John tribute albums released today. Travelin’ Band 4. I am over the top happy with my album. Yellow River 9. Beyond happy when I received my Elton Legendary Covers '69/'70 LP. As an independent website, we rely on our measly advertising income to keep the lights on. Because wow, Biz Markie super doesn’t. Elton John and Olly Alexander's cover of 'It's A Sin' is Number 1 on The Official Big Top 40. File:Elton John - Elton John's Greatest Hits Vol. Unlike Queen, though, Elton John didn’t really need a mega-blockbuster to return to the public eye. Love Of The Common People 7. Elton John originally released Daniel written by Elton John and Bernie Taupin and Elton John released it on the album Don't Shoot Me I'm Only the Piano Player in 1973. Not surprisingly, the most convincing covers are the ones that hew closest to the bold pop style that John would go on to perfect, namely a chiming take on Cat Stevens' "Lady D'Arbanville" and an energetic, spot-on rendition of the Paul McCartney-penned Badfinger hit "Come and Get It." Natural Sinner 12. How’s that for return on investment? ), the album’s country-centric twin Restoration makes a bit more cohesive sense; John and Taupin wrote standards that feel divorced from genre as well as time, and it doesn’t take a lot of embellishment (or reduction) to pick up on their fascination with Americana and translate that into country. I love Elton John; some of these covers are really great. And then more will pour in, and it might, hopefully, finally click: that initial rush of music he made during the first wave of his career with Bernie Taupin, from roughly 1970’s sophomore breakthrough Elton John to 1975’s Captain Fantastic And The Brown Dirt Cowboy, is almost obscenely riddled with greatness. Elton hopes you don’t mind; Billy — and that arrangement — know you won’t. At the rate he earns tributes, it won’t be long before the next batch lands. Flotsam And Jetsam are known by many as the band Jason Newsted was in before he joined Metallica to replace Cliff Burton, and known by somewhat fewer as a particularly underrated thrash metal band that earned their place as lifers off the goodwill earned off a string of good-to-great albums they cut in the late ’80s and early ’90s. From his second, self-titled album onward (no one covers songs off his 1969 debut), Elton’s songs have been covered constantly. That body of work sounds, even now, like a repositioning of rock-after-psychedelia as a showbiz artform that challenged the po-faced auteurism of the singer-songwriter era shouting “no seriously listen to this Madman Across The Water album, it’s astounding.”. 45 years after her first single for Atlantic (“My Man – He’s a Lovin’ Man” b/w “Shut Your Mouth”) and 25 after her first officially released full-length album (1982’s Motown one-off Tell Me A Lie), Bettye LaVette had found herself in a career resurgence that earned her more acclaim and success than ever. The music that the team of Elton John and Bernie Taupin wrote and released after that initial creative barrage remains a bit uneven — Too Low For Zero is as close as they got to recapturing that early ’70s onrush, and that was 35 years ago, though the low-key comeback they staged starting with 2001’s Songs From The West Coast restored a lot of that old feeling. It’s a great small-band piece, just voice/piano/bass/drums (Dee Murray and Nigel Olsson handling the latter in early exhibitions of their integral role in John’s band), and fits as another strong example of how the lines between rock and soul didn’t matter much to them. The pair paid tribute to the LGBTQ community as they fight through the AIDS epidemic. A hit you heard redone on Glee or American Idol? It’s simple in its unfamiliarity to start: By replacing those instant-stimulus piano chords with a gauzy synthesizer that sets the tone just a bit off-register, it eases you into a sense of bewilderment that keeps arriving in layers. As for Elton, he wasn't Mr. Moneybags yet! But as a producer, he’s taken the sophisticated-soul/art-pop tendencies he first flaunted alongside Dilla on the (initially contentious) Amplified back in ’99, and found a way to turn the original’s uptempo tribute to ’60s Marvin Gaye/Tammi Terrell and dial the time machine forward just enough to bring things up to the Leon Ware era. Come And Get It 6. So this month we count down the thirty best Elton John covers ever. When Krall takes on Elton John, she stays true to the original, maintaining the same slow piano accompaniment. Elton used to do freelance session work on these crude LPs that had reasonable facsimiles of the latest hits, sold in places (mainly in the UK) like Oxfam, Woolworth's, grocery stores, you name it. And go figure — one of the titans of rock ‘n’ roll took on the B-side. Hi. Her performance defies simple description — if you don’t know by now just what it means to hear both Aretha Franklin’s voice and her piano at peak emotion, there’s a big hole somewhere in your life — so let’s take a little breathing room and give Chuck Rainey and Cornell Dupree their due for a heartbeat-realigning bassline and a resonant minimalist Harrisonian guitar solo, respectively, and thank the Lord for the Sweet Inspirations singing backup while we’re at it. I do not know how you guys do it, but it would be a great disadvantage to us as customers if you guys stopped. It’s All In The Game 8. (Ever wanted to hear Jon Bon Jovi barf out “Levon” or Wilson Phillips drown “Daniel” in bubble bath? Cover Oficial na America Latina. I Can't Tell the Bottom from the Top 13. He was born on March 25, 1947 to the name of Reginald Kenneth Dwight in Pinner, Middlesex. — but the funniest of all is just how easily the backing band could be mistaken for just a straight-up karaoke version until the unmistakable wah-wah’d electric piano of Money Mark places this right in Ill Communication-eraturf. Fwoosh is what it is. 3 album cover.jpg; File:Elton John - Empty Sky - U.S. cover.jpg; File:Elton John - Empty Sky.jpg; File:Elton John - Goodbye Yellow Brick Road.jpg; File:Elton John - Greatest Hits 1970-2002 album cover.jpg; File:Elton John - Greatest Hits Volume Ii-front.jpg; File:Elton John - Here and There.jpg Up Around the Bend 5. Album covers for albums by Elton John, found by OneMusicAPI. Regardless, the CD came to me in … The farewell tour he launched last year will take him through 2020, and 2018 also saw two tribute albums featuring megawatt performers: from Lady Gaga to Ed Sheeran on the pop one, Miranda Lambert to Willie Nelson on the country one. Though artists inevitably gravitate towards the huge hits, John’s songbook boasts a long tail, with even some relative deep cuts generating classic covers. And nowhere has tribute been paid more often than in the world of cover songs. Oh, right, another Boomer from the classic rock canon’s hanging it up, how’s about that. 1988’s No Place For Disgrace, their first without Newsted, is generally regarded as the best of these, and it’s the kind of record that can be appreciated both for its technical qualities (i.e. Compared to the Queen movie, critics like Rocketman better (somewhat), fact-checkers call it more accurate (somewhat), and LGBT advocates praise it for more honestly addressing the star’s sexuality (somewhat). Watch on Diana Krall’s twelfth album, Wallflower, is a cover album that contains hits from the 1970s. The Pet Shop Boys cover was performed by the pair at the BRIT Awards on … The albums discography of English musician, singer and songwriter Elton John consists of 30 studio albums, 5 live albums, 7 soundtrack albums, 18 compilation albums and 3 extended plays, as well as 3 tribute albums. Elton John has announced two all-star covers albums of his and co-writer Bernie Taupin’s greatest hits. #Shorts #bebetocruz #cover #coversong #music #musica #musicainternacional #eltonjohn #EltonJohn #yoursong#yoursongcover In 1974, John collaborated with John Lennon on his cover of the Beatles' "Lucy in the Sky with Diamonds", the B-side of which was Lennon's "One Day at a Time". Arun Chaturvedi, Judson Mancebo, The Tribute Co., 8 Bit Arcade and other artists. Sir Elton John and Olly Alexander's duet at the Brit Awards is being hailed as one of the best ever performances in the show's history.. For Elton, the Rocketman biopic is just the latest tribute in a career full of them. In his performance, it was already close enough to a gospel song; Aretha just confirmed it in the most spectacular way, adding a parenthetical to the title that became boldface in the music. Sir Elton Hercules John, CBE is a notable and popular English singer, composer, songwriter, pianist and actor. Snap, tough, & flex cases created by independent artists. The undertold story about “Daniel” is that Taupin wrote it about a Vietnam veteran trying to find some unretrievable peace after the war, which makes the chorus — “Do you still feel the pain of the scars that won’t heal/Your eyes have died, but you see more than I” — twist the knife deeper than you might expect. 35 talking about this. However, it was her cover of Elton John’s 1973 hit “Bennie & The Jets” that set her on a path of superstardom with this outstanding performance. (adsbygoogle = window.adsbygoogle || []).push({}); ‘The Best Ever’ series counts down our favorite covers of great artists. Our ads are not too obtrusive, promise. Spirit In The Sky 3. In return, John was featured on " Whatever Gets You Thru the Night " on Lennon's album Walls and Bridges . Consider this the third of a trifecta of R&B greats covering tracks from Elton John’s 1970 — though, of course, this song is a take on the John/Taupin team as genuine hitmakers, recognized as such by a braintrust in Kenneth Gamble and Leon Huff that were en route to joining them. https://youtu.be/8Fm4I8SDuC0, You may use these HTML tags and attributes:
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But in 1970, as his singles were only just beginning to earn any traction on any charts anywhere, the John/Taupin partnership earned one of the greatest privileges any song could earn from the world of soul: a cover by Aretha Franklin. It’s Mark Oliver Everett, aka “e” of the band eels, covering Elton John’s “Friends.” The Rock Hard Times, the only site I can find with any info, says it was recorded for a scuttled EP of covers in the early 1990s. Lady D’Arbanville 11. Still, there’s plenty of reasons besides some supposed diminishing returns to linger on the music that came from those first eight albums they put out in the ’70s. And then maybe one of his songs’ll plunk into your forebrain — something from The Lion King? Sometimes cover albums collapse under the weight of expectations: some of the ’90s’ finest composer-musicians in Tortoise cut an album with a songwriter on the level of Will Oldham, and it’s a bunch of reinterpretations? Elton John and Years & Years' 'It's a Sin' has debuted at Number 1 on the UK's biggest chart show. Thank you! Two Rooms: Celebrating The Songs Of Elton John & Bernie Taupin is a largely disappointing tribute album, one of those situations where a carefully selected group of an artist’s peers leans too far in the direction of safe choices filtered through rock-as-Adult Contemporary malaise. But in the case of their take on “Daniel,” they really unearth another layer of that true feeling, scrapping all the original’s billowy Mellotron-and-Fender Rhodes pathos for something more nerve-twisting and enigmatically traumatized, where the most prominent instrument is the way-in-the-red distortion that turns bass into static hiss that seems to toss Oldham’s falsetto through inescapable waves. The 73-year-old musician and the 30-year-old star of hit Channel 4 drama It's A Sin have teamed up to release a charity cover of the Pet Shop Boys song of the same name, which they debuted at the 2021 Brits ceremony. Again, somewhat worse; it’s done fine, but does not seem to be the smash Bohemian Rhapsody was. The Legendary Covers Album '69-'70 by Elton John, released 23 January 2019 1. You’ve got all that and then some, enough to make a cover of Elton’s most uptempo hard-rocking cut seem at least a bit less unlikely. Packaged in a digipak with an attractive fold out poster with detailed liner notes on these recordings and rare photos of the young Reginald Dwight! United We Stand 2. John and Taupin — Brits fascinated with the idea of popular song as a window into America that they could still see their reflections in — careened between glam and country, hard rock and easy listening, sentimental and sardonic, like few of their peers, and if every hit of theirs found different inroads into examining their own sympathies and frustrations and shameless joys, it all still feels like genuine facets of the same two people. There’s Uilleann pipes, it’s wild. Elton John originally did Goodbye Yellow Brick Road, Crocodile Rock, Honey Man, Don't Go Breaking My Heart and other songs. Would you please disable adblock? Jun 11, 2015 - Explore Thomas Woodman-Povey's board "Elton John Album Covers" on Pinterest. Hell, Three Dog Night released their cover of that second album’s “Your Song” a month before John’s original even came out. The songs reflect Armstrong’s broad musical taste so that a cover of Elton John isn’t even close to an outlier. The best thing you can say about Tip here is he’s not the worst singer — not that he has to be the best, since he’s got Demi Lovato in the Kiki Dee role giving a fine glossy sheen to the whole thing. Bo Diddley, “Bad Side Of The Moon” (1971) And go figure — one of the titans of rock … Pretty much any comment here is by definition a nitpick but missing the Buckshot LeFonque version of Mona Lisas and Mad Hatters…oy. (In his singles catalog, he and PIR followed up “Me And Mrs. Jones,” his #1 velvet-smooth infidelity ballad, with the defiant clavinet-laced symphonic funk of “Am I Black Enough for You?“) And if Paul’s voice is singularly unusual — maybe the only artist ever whose voice could be equally described as both froglike and seductive — it’s also remarkably transformative, changing the tone of Elton’s first and maybe most lasting performance from a wistful sigh of appreciation to a bask in complete joy. Elton’s had a decent amount of R&B crossover in his career — “Bennie And The Jets” famously hit #15 on Billboard’s R&B chart in 1974 and got him on Soul Train. A scattershot lashing out at America’s enemies (“N.E. Classic recordings of Elton John on the cusp of his early fame covering a superb collection of hits such as Signed, Sealed, Delivered, Spirit In The Sky, Come And Get It and more! As the sustained critical enthusiasm for Kacey Musgraves hits new levels off her new album Golden Hour, an album that envisions country as a far more universal pop genre than the bro-pandering good-time emptiness of its most chunkheaded practitioners, it’s a hell of a thing to hear her take on Goodbye Yellow Brick Road’s “Roy Rogers.” One of the best songs to be overshadowed by the 1973 double LP’s massive hit parade, the ode to nostalgia-clinging saudade in the face of disappointing adulthood doesn’t have far to go to become a dust-swept country ballad and an even shorter distance to go for it to feel like one of Musgraves’ own studies in feeling detached from all the good times and blunty yet cuttingly wondering where to find a smaller solace in her own corner. Synthesizer is joined by concertina, they both melt into some sort of plastic calliope sound, and then the bridge hits and it’s reggae? It’s weirdly faithful in a lot of ways — Eric A.K.’s vocals prove that even an underground thrash metal band can beat the Sunset Strip brigade at their own game — even if some of the lyrical changes jump out in an awkward way (“It’s seven o’clock and I wanna mosh”), you’d best believe they pull off the whole “I’m a juvenile product of the working class/ Whose best friend floats in the bottom of a glass” vibe. Maybe your first thought on Elton John’s announced retirement tour was something along the lines of a shrug. Bo Diddley, who was in the midst of his last great studio-album run for Chess, had transitioned into a sort of all-genre country-funk/blues/rock generalist role, with 1971’s Another Dimension featuring three different Creedence covers of varying quality and a pretty tight version of the Band’s “The Shape I’m In.” His “Bad Side Of The Moon” is a keeper, especially if you’re a beathead: the dub-adjacent opening that echoes its way right into a slippery drum break any circa-’88 hip-hop producer would savor (courtesy of a drummer alternately credited as “John Birganti” and “John Briganti,” and short on credits either way). It looks like you're using an ad blocker. There’s some funny bits of mystery around this performance — for one thing, is that crowd noise fake, since there seems to be no record of the Beastie Boys performing this live before this flexi was released? But holy shit does Kate Bush ever bring the otherworldly uncanniness factor to the proceedings: a #12 on the UK singles chart recorded in the midst of one of Bush’s most creatively and personally tumultuous times in her life, her version of “Rocket Man” is pure iconoclasm without the snottiness or irreverence that usually comes with a deconstructive cover. The most important stories and least important memes, every Friday. Revamp was released via Island Records and Restoration by Universal Music Group Nashville. Hey, he can sing just fine. Following their performances at the BRIT Awards, Elton John and Years & Years' Olly Alexander shared a new version of his Pet Shop Boys' cover ‘It’s A Sin.’ A cut from John’s self-titled second LP and his first single to get within squinting distance of the charts (#92 Billboard Hot 100), “Border Song” took Taupin’s mood of disillusioned loneliness and expanded it into a plea for tolerance with the Elton-penned final verse. By ’72 “Your Song” had become just the first big Elton John hit in a string of them that, by the time of 360 Degrees Of Billy Paul’s November release, had grown to include “Tiny Dancer,” “Levon,” “Rocket Man,” “Honky Cat,” and “Crocodile Rock.” But even if he’s still a little less renowned in hindsight than fellow PIR hitmakers the O’Jays and Harold Melvin & The Blue Notes, he was maybe the most stylistically versatile singer on the label, a jazz-rooted artist who could cut yearning love songs and raise civil rights calls-to-arms with equal fire.
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