canon servo zoom lens

canon servo zoom lens

The lens mount supports electronic signal pass through, supporting EOS lens data management functions. The lens also features 0.8 MOD / 32 Pitch focus gears and 0.5 MOD / 51 Pitch gears on the iris and zoom. Currently, most reality TV is filmed with the Canon 17-120mm and the Cabrio 85-300mm as the long lens. Adding to the Cine-Servo lens range is the CN10x25 a shoulder-mount telephoto 10x zoom lens (25-250mm) that starts at 25mm wide angle. Even though the lens is only designed to cover S35 sensors if you activate the 1.5x extender the lens will actually cover full-frame sensors. The CINE-SERVO lens features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180-degree smooth rotating focus ring. On a controlled shoot, it’s brilliant for talking heads, long interviews, to check focus, or a tricky shoot when the subject is walking towards the camera. He is the Editor of Newsshooter.com and has been writing on the site since 2010. There are loads of other settings and ways to adjust the DPAF with the touch screen. So how does the Canon compare to the aperture ranges of other cine zooms with similar focal lengths? The Compact-Servo family of lenses are a new 4K Super 35mm lens category in the Cinema EOS lineup. I was surprised it didn’t cover 5K FF on the FX9 but I understand the 17-120mm covers that mode. Above you can see the lens on the Canon 500 Mark II in full frame. I can see owner-operators buying this lens, I would certainly like to have it in my kit full time. I think Canon got the mix right. © 2021 Canon U.S.A., Inc. All Rights Reserved. The Canon Cine-Servo 25-250mm is the latest addition to Canon's line of versatile zoom lenses. I film a lot of reality TV. It will be interesting to see how well the 25-250mm works with the C500 Mark II and C300 Mark III as both of those cameras feature electronic image stabilization (EIS). Canon now has three CINE-SERVO zooms that cover a range from 17mm out to a whopping 1500mm (if you engage the 1.5x extender on the 50-1000mm). See your browser's documentation for specific instructions. Thanks to an impressive 7x zoom, with focal length spanning 17mm to 120 mm, and maximum T-number of T2.95, the CN7x17 KAS S E1/P1 may be the only lens you need. Field Test: Canon | Compact-Servo 70-200mm T4.4 Zoom Lens - YouTube. The CINE-SERVO 25-250mm T2.95-3.9 covers S35 sized sensors and it slots in between the existing CN7x17 KAS S Cine-Servo 17-120mm T2.95 and the CINE-SERVO 50-1000mm T5.0-8.9. I trust myself to find focus manually. These features, along with high level 4K optical performance and functionality such as integrated servo controls for zoom, iris and focus for electronic control from a camera, optional remote controller and optional ZSG-C10 Zoom Servo Grip make the Compact-Servo lenses ideal for those seeking the traditional lens operational practices associated with professional cinematography. I liked the balance off the shoulder when paired with the C500 Mark II. Canon’s new Compact-Servo zoom 18-80mm T4.4 EF-mount lens is smaller than a 70-200mm L lens and weights only 2.7 lbs. The 25-250mm uses an 11 blade iris which is exactly the same as both the CN7x17 KAS S Cine-Servo 17-120mm and Canon Cine-Servo 50-1000mm. Just like the CINE-SERVO 50-1000mm T5.0-8.9, the 25-250mm features a built-in extender. Canon CINE-SERVO 25-250mm T2.95-T3.95 Cinema Zoom Lens, Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom, Fujinon ZK 25-300mm T3.5 to T3.85 Cabrio Premier, CINE-SERVO 25-250mm T2.95-3.9 (CN10x25 IAS S), Review of the Atomos true 10-bit 4K NEON 24″ Monitor/Recorder, Ignite Digi Bridge Plate Booster Seat for KEYSTONE. In Australia, you can purchase it and it has been shipping since July. The Compact-Servo family of lenses are a new 4K Super 35mm lens category in the Cinema EOS lineup. A site for working professionals in the TV & Film industry. On the heels of their new Super 35mm pocket camera announcement, Canon has unveiled a cine-servo zoom lens that is lightweight, compact, and actually affordable. The CINE-SERVO 25-250mm T2.95-3.9 covers S35 sized sensors and it slots in between the existing CN7x17 KAS S Cine-Servo 17-120mm T2.95 and the CINE-SERVO 50-1000mm T5.0-8.9. Shuttle Shot, an enhanced servo system, lets the operator zoom back and forth between two positions for either checking focus or precise zooming, while the design incorporates a dual lens approach to broaden the shooting options, achievement of an adequate sensitivity, maximization of image contrast, and preservation of the highest MTF over the long focal ranges. I took the lens to Sydney Taronga Zoo, Newport Beach, and Sydney Harbour. I’m so used to the 17-120mm that I forgot what it’s like to get able to get tight shots off the shoulder. If you are not familiar with the lens, Canon designed the 25-250mm with versatility in mind, so that it could be used used for wildlife, documentary, broadcast, and cinema applications. SINGAPORE, 21 April 2020 – Canon announced today the introduction of the CN10x25 IAS S/E1 (EF mount) and the CN10x25 IAS S/P1 (PL mount) CINE-SERVO lenses 1 as new EF cinema lenses. As the name suggests it has a class leading 7x zoom range. Optical performance compatible with 8K cameras. One of our long-time readers, Ben Fogarty, got a chance to extensively test out the new Canon CINE-SERVO 25-250mm T2.95 Cinema Zoom which hasn’t started shipping yet in a lot of places in the world. So, now that you know all about the lens, let’s find out what Ben Fogarty thought about using it. The first number means the zoom ratio, the second means the wide portion of the zoom range. They were never going to make a lens that meant we didn’t need the 17-120. Manual Zoom Operation. As someone who uses the Cine-Servo 50-1000mm, I would have liked to have seen some sort of IS incorporated. The longer lens options are limited and most require tripods. I used continuous mode and face detection for all my tests. Zoom operation can be performed by the zoom ring or the zoom operation switch of the lens. Having a lens that potentially covers most situations is appealing. × Your Account. Turn the zoom ring to perform zoom operation. The extender on the 25-250mm is a 1.5x, which allows the user to change the focal range of the lens to 37.5-375mm. I also wanted to test the latest cameras on the market. I picked these cameras for a few reasons. In addition to the Canon EOS C300 Mark III Cinema Camera, Canon also officially announced the CINE-SERVO 25-250mm T2.95 Cinema Zoom lens. The zoom control includes a mini-LCD that displays zoom, focus, and iris setting. DPAF seems to work in any mode I put the camera or lens in. Check your order, save products & fast registration all with a Canon Account This lens is suited to shoulder work. I was very impressed and think it was a smart idea to get the lens to 375mm. The ZSD-300D zoom demand will operate the shuttle shot and frame preset features of the lens. Further down in the article you can read an extensive Q&A I did with Ben and see example videos that were shot using the lens. Set the zoom operation change-over knob of the lens to SERVO position. You need to use the built-in extender to cover the image sensor. Canon HJ15 8.5-128mm HD BCTV Servo Zoom & Focus Lens, from Gravity Media stock and supply of well maintained Canon HD lenses available for rent around the world. It has a Φ 114 mm front filter diameter. It also supports motorized zoom speeds ranging from 1.5 seconds to 180 seconds to zoom throughout the entire range. The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and other industry standard lens controllers. Before we felt confident recommending the Canon Cinema EOS Servo Lenses, we needed to test one and determine its compatibility with our camera. Check your order, save products & fast registration all with a Canon Account, A New Class of Cinema-quality Lenses Featuring Integrated Servo Control in A Compact, Lightweight Design. The generous 10mm overlap helps minimize the need to switch between lenses in the midst of a “fast-action” shoot. The Canon CN7x17KASS is a 17-120mm T2.95 “cine-servo” lens. CINE-SERVO 25-250mm T2.95-3.9 (CN10x25 IAS S) Download. The detachable drive unit, can be removed and reattached with the zoom in any position, requiring no re-calibration. The lenses will go on sale in Japan in early July 2020. Ben wanted to try the lens out on a variety of cameras, including the Sony FX9, Canon C300 Mark III, and Canon C500 Mark II. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. You can download the full specifications of the lens above. I chose continuous mode as I had an EVF on and didn’t want to keep looking up to adjust the settings. They combine the qualities from our EF lenses such as a light weight, compact size, integrated autofocus and excellent optical quality with the professional video features of our Cinema lenses, such as minimal focus breathing and parfocal zooming. I wanted to see what this lens covered in some of the different sensor modes. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. This page requires Javascript. Just like its siblings, it features the same 180° of focus rotation for precise focus pulls and is marked in both feet and meters. This is not a massive ramp in the aperture. After all, with a Panasonic Power Zoom lens like the PZ14-42mm and PZ45-175 lenses, we can control zoom, iris and manual focus. This lens is for shooters moving up from EF Still Lenses but aren’t fulling into very expensive big budget cinema lenses … I don’t think it’s long enough for wildlife-documentary work. CN10×25 IAS S wide-angle cine servo zoom lens. Making a 10x cine zoom that has T2.95-3.9 aperture and weighs under 7 lb is a real engineering feat. Face detection only works in 25-50p. Of course, by doing this you will lose light and the lenses T-stop range changes to T4.4-T5.9. With a Canon camera, you need the Canon EU-V2 Expansion unit @ $1599.00 USD. If Canon had of given the lens a constant aperture it would have made it significantly larger and heavier. This compact, lightweight zoom offers coverage in the commonly used 70-200mm range. On a shoot with 8-10 cameras, we all try to match ISO, so if one camera was 2000 or more ISO higher it would be an issue for sure. With the extender in the lens being T5.6 at 375mm I found myself not shooting wide open to avoid the drop-off. With a length of 15.9″ (40,4 cm) and a weight of 14.6 lbs (6,6 kg), this zoom lens is quite compact for what it has to offer: a 20:1 zoom range, servo motors for zoom, iris and focus plus a 1.5x extender. Canon's new COMPACT-SERVO 18-80mm Zoom Lens has a bunch of features that may appeal to not only ENG-shooters, but indie filmmakers and documentarians alike, but perhaps the most … They aren't bad. The 16x Manual Servo Zoom lens introduced simultaneously with the XL1S in 2001 generated nearly as much interest as the XL1S itself. Compact Servo Zoom. The removable servo-grip is sure to please ENG and Doc operators alike. The Newsshooter forums have just launched. My 17-120mm may not get a lot of use anymore. Its range can be further expanded using the optional Canon EF 1.4x III and 2x extenders (available separately). The “cine” in the name refers to the fact that it’s a “cinema” lens with a S35 covering image circle of 31.7mm. The CINE-SERVO 17-120mm T2.95 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) At that point the lens� zoom ring is locked into the servo�s teeth and must not be manually forced. The 25-250mm has a close focus ability of 4′ (121.9 cm). Manual lens for the Canon XL1/XL1s Fully manual focus with barrel marks 16x zoom with manual and servo control Rectangular lens hood keeps out stray light Digital iris control and 2 built-in ND filters Our equipment is maintained to the highest standards while our experienced and friendly staff will help you pick the right kit for your job. The range of this lens is great however the drop-off is an issue. Reproduction in whole or part without permission is prohibited. Login; Create an Account. And they can also be a little heavier. Canon now has three CINE-SERVO zooms that cover a range from 17mm out to a whopping 1500mm (if you engage the 1.5x extender on the 50-1000mm). You also have to have run an external cable down the side of the camera which is not ideal. Also, servo zoom lenses on these fixed lens prosumer cameras, generally don't tend to be of the highest quality. Canon took a lot of what they learned from creating the CINE-SERVO 50-1000mm T5.0-8.9 and applied it to the new CINE-SERVO 25-250mm T2.95-3.9. I used a C300 Mark III, C500 Mark II, and a Sony FX9. Having a lens that can go out to 375mm at T5.9 is still impressive. Field Test: Canon | Compact-Servo 70-200mm T4.4 Zoom Lens. The wide zoom range of the COMPACT-SERVO 18–80mm T4.4 EF and COMPACT-SERVO 70–200mm T4.4 EF is highly versatile, allowing the Compact-Servo lenses to be your main “go to” lenses. The ability to keep the same lens on all day and move from shoulder to tripod without a lens swap is a big selling point for me. If you’re a C300 or C100 shooter I think Canon designed this lens specifically with you in mind. DPAF comes into its own for many situations though. In other words: 7 (zoom ratio) x 17 (wide angle) = 17mm to 120mm; 20 (zoom ratio) x 50 (wide angle) = 50mm to 1000mm. Canon has also launched the HJ18ex7.6B portable HD zoom lens for broadcast news and documentary … I have no doubt this lens will find a home in many productions using large sensor cameras. With the 50-1000mm you really need to use a very heavy duty tripod, because the slightest amount of movement at 1000mm is very noticeable. The second in a new class of Canon lenses, the COMPACT-SERVO 70-200mm Telephoto Zoom Lens is a cinema-style lens that includes a servo drive unit as a standard feature. This makes it a lot easier to pull focus manually than using a lens with 300 degrees of rotation. Modify your browser's settings to allow Javascript to execute. Buy Canon CN-E 18-80mm T4.4 COMPACT-SERVO Cinema Zoom Lens (EF Mount) featuring Covers Super 35 & APS-C Formats, EF Mount, T4.4 Constant Maximum Aperture, 9-Blade Iris, Parfocal with Minimized Focus Breathing, Compatible with Servo Lens Controllers, Optional Control Grip, Image Stabilization & Auto Focus Support, 180° Rotation for Focus, Lightweight at only 2.65 lb. So we were very interested to see what would change with the Canon glass. All this makes this lens a potential one stop shop for all your wildlife/nature needs. I wanted to try this lens out before I committed to purchasing one, I didn’t set out to do a big review, I ended up shooting and learning loads about this lens and thought I should share what I found. Servo Zoom Operation. I am not an editor or colorist, so please forgive the less than polished look of my videos. It’s great for outdoors but I do wonder if the T5.6 will be fast enough when shooting at night with a mix of other lenses. The new Canon CINE-SERVO 50-1000mm zoom lens is an ultra-telephoto lens with superb 4K optical performance and a removable Digital Drive unit to accommodate either broadcast or cinema-style production. The lens remains at T2.95 from 25-187mm and then it starts ramping up to T3.9 from there. With today’s modern digital cinema cameras having such good sensitivity, T5.9 is going to be more than usable in most situations. This is exactly the same minimum focusing distance of the Angenieux Optimo Style 25-250mm T3.5. It would be difficult to rely on if I only had one take or needed to nail a shot. The Canon 25-250mm has a variable aperture that goes from T2.95-T3.9. The Canon CINE-SERVO 25-250mm T2.95-3.95 (CN10x25 IAS S) is scheduled to be available later in 2020 for an estimated retail price of $29,999.00 USD. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. Delivering performance compatible with 8K cameras from the center of the screen to the periphery over the entire zoom range. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, we have developed this lens with full external servo control for drama, documentary and other broadcast productions. The built-in, 12-pin connector allows you to interface this lens with standard broadcast connectors. The lens requires power for DPAF to work. You wouldn’t normally classify a lens that weighs in at 6.7 lb (3 kg) as lightweight, but considering what other 25-250mm or similar range cine zoom lenses weigh, it is exceptionally light. The new models are CINE-SERVO lenses that achieve 8K optical performance, high-magnification 10x zoom and have a 1.5x extender built into the lens … The Canon Cine-Servo 25-250mm T2.95 Cinema Zoom Lens is a compact professional lens used for broadcasting and film. The COMPACT-SERVO 18–80mm T4.4 EF and the COMPACT-SERVO 70–200mm T4.4 EF offer professional video functionality all at an affordable price, making them ideal for a wide range of video applications including documentary, cinema, news gathering, wedding and other video production. The digital drive unit can also be removed if you want to make the lens even lighter. Backwardly compatible with the original XL1, the 16x Manual Servo lens replaced the now-discontinued 14x Full Manual lens previously offered by Canon for the XL platform. All digital demands connect to the lens via a new one-touch 20-pin connector. Still, having a constant T2.95 aperture between 25-187mm is impressive. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 17-120mm T2.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. using Canon optical elements. I actually would have loved to see a longer lens, 100-400mm, and more constant aperture, but this is a very solid focal length for the size and weight. Set the zoom operation change-over knob of the lens to MANU. Acknowledging that broadcasters often need to change zoom, focus and iris/aperture in different ways than filmmakers, Just like the 7×17 KAS S Cine-Servo 17-120mm and Canon Cine-Servo 50-1000mm, the 25-250mm doesn’t feature any IS. I found the autofocus a valuable tool; you just need to pick the time to use it. Available in both EF and PL mounts, the Canon CINE-SERVO 25-250mm T2.95 lens features 10x optical zoom, a built-in 1.5x extender and a powerful and removable servo motor drive unit, providing broadcast-friendly shoulder … A 3-group inner focus system developed for Canon lenses reduces focus breathing to an absolute minimum. The 25-250mm fells just like the 17-120mm. The lens doesn’t have a constant aperture like the Angenieux Optimo Style 25-250mm T3.5. I can see this lens getting used a lot for reality TV. You will usually hear and feel a soft �click� when you engage the servo zoom motor. The lens is also only 11.1″ (28.2 cm) long. Watch later. I found it great for sports but would have liked more length. A familiar focal length in the motion picture world but in a lighter, smaller package with features not usually paired at such an affordable price making the 25-250mm a fantastic tool for documentary and ENG filmmakers. It’s fully 4k-ready, with a high optical resolution and an 11-blade aperture diaphragm for artistic expression. The Cine-Servo lens has a 25 to 250mm focal range and a T2.95 to T3.95 aperture from wide to telephoto. By adding a 1.5x extender Canon has greatly increased the versatility of this lens. If you need to focus even closer, just like the 17-120mm, the 25-250mm lens also features a macro function. As a comparison, here is what a couple of other cine zoom lenses with similar focal ranges weigh: As you can see, the Canon CINE-SERVO 25-250mm is less than half the weight of the Angenieux Optimo Style 25-250mm T3.5 and almost a third of the weight of the Fujinon ZK 25-300mm T3.5 to T3.85 Cabrio Premier. It means less chance of missing a shot and less wear and tear on gear. Variable Aperture If you use the EF mount version of the lens you can take advantage of Canon’s proprietary Dual Pixel CMOS AF. It’s great to have some focal length back and it feels more like a 2/3 inch lens than a cinema lens. He was also curious to see how well the autofocus performed as well as how it covered certain sensors at various resolutions. Canon accepted the challenge and the 50-1000mm cine servo was the result. That makes it 3.85″ (9.78 cm) shorter than the Angenieux Optimo Style 25-250mm T3.5. Below you can see: Canon used a lot of the same technologies they came up with when they designed the 50-1000mm. It is unclear at this stage how linear that ramp is. I would definitely use an easy rig but for a quick sequence, it’s more than manageable without a rig. The lens� zoom servo is engaged and disengaged by a switch located on the lower right side of the lens barrel. The Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount) provides 4K and HDR–compatible imaging for Super 35-sensor digital cinema cameras. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. It has an ENG-style Digital Drive handgrip with zoom rocker switch and will be available in either PL- or EF-mount. The optical design and mechanics for the 25-250mm can be directly traced back to the 50-1000mm. 25mm is not wide enough for all situations, but as we know there is no perfect lens or camera. It’s a good mix for its size and covers a very interesting range, 25-375mm. I have a newfound respect for all the amazing reviews that guys do online and we all watch for free. Canon ZSD-300D Digital Zoom Servo Demand - for J21, J16, J11, HJ21, HJ18, HJ16, HJ11 and HJ11 Digital Drive ENG/EFP Lenses. It is designed for large-format, Super 35-sized sensors and is available in either a PL or a Canon EF Mount. The Canon CN-E 18-80mm T4.4 COMPACT-SERVO Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup.Designed for use with EF-mount cameras featuring Super 35 or APS-C sized sensors, the lens covers an incredibly useful 18 to 80mm focal range while maintaining a constant T-stop of T4.4 (f/4) throughout. Before we jump into that, let’s check the lens out. Review Canon COMPACT-SERVO They combine the qualities from our EF lenses such as a light weight, compact size, integrated autofocus and excellent optical quality with the professional video features of our Cinema lenses, such as minimal focus breathing and parfocal zooming. Image Connect Photographer Matching Service, Monochrome Continuous Feed Digital Presses, Corporate Social Responsibility Guidelines, Environment & Sustainability Initiatives Home. 10x Wide-angle cinema zoom lens with 25-250mm focal range and can be extended to 37.5-375mm with built-in 1.5x extender; Supports 8K (8192 x 4320 pixels) resolution; Compatible with Super 35mm sensor and can support Full-frame sensor when 1.5x extender is used The downside of servo zooms is that they are generally only available for fixed lens prosumer cameras or high-end big-budget ENG cameras. Canon has announced its new Cine-Servo 17-120mm T2.95 zoom lens for shoulder-mounted application or as a traditional cinema lens. Javascript is disabled in this browser. Acknowledging the need to control zoom, focus and iris/aperture, Canon has developed this zoom lens with full external servo control, and an optional ZSG-C10 grip designed exclusively for this lens makes it easier to operate the lens, helping to support a wider range of shooting styles such as shoulder mount ENG style. The PL version of the lens supports Cooke/i Technology. The extender performs like a 2/3 inch lens, a drop in light but very handy. They just aren't, of the highest quality. position. I was impressed with the lens. Canon's Cine-Servo lenses follow this formula for its names: the 17-120mm is called CN7X17 and the 50-1000mm is called CN20X50.

Qvc Vionic White Sneakers, Wayward Swordtooth Gatherer, Central Clearing Counterparty Examples, Croydon Council Parking Services Phone Number, Mathieu Joseph Db, Michael Bolton Illness, Warmest Winter Hat, Kasus Fpi Terbaru, Robert The Bruce Statue, Stirling Castle, Ucla Reputation Reddit,