meike full frame cine lenses
The color tone of a lens is really something you should look at closely if you are going to be using both prime and zoom lenses from different manufacturers. Let’s take a closer look at it! MEIKE has announced a new 35mm T2.1 Full-Frame CINE lens, designed for full-frame cameras, this CINE lens will be available in a number of mounts including EF, RF, PL, E, … Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. I didn’t notice any real noticeable fall off or vignetting when using this lens on a Kinefinity MAVO LF, Panasonic S1H, or Nikon Z6. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. It is available in either PL, Canon EF, Canon R, Sony E, and … $325.00. Was a gloomy day and we tried the new 85mm T2.1 handheld.This lens render bokeh in a dreamy feel that is very pleasing.More test coming. Presale: E After releasing a 50mm T2.1 and 35mm T2.1 f ull-frame cine lens in PL, RF, EF, L, and E-mount, Meike has announced an 85mm T2.1 prime available in the same mounts. I don’t personally see this as any kind of problem, but it is worth mentioning. As far as price v’s performance is concerned, the Meike is very hard to beat if you are looking for an affordable purpose-made cine lens that covers full-frame and larger sensors. Meike has introduced the Prime 85mm T2.1 Cine Lens for full-frame cinema cameras. They do, however, face stiff competition from companies such as DZOFilm. The 330 degrees of focus rotation allows you to make finite focus adjustments without the associated problems of using stills glass. Again, this is something that will make it appeal to solo shooters. The lens is fairly sharp, even when used wide open. In a lot of ways, lenses like these offer cine-style mechanics at the price point of a normal stills lens. Investing in a full-frame lens is usually going to cost you a lot more money than buying one that just covers S35 sensors, however, some of the latest lens offerings from Meike and DZOFilm are starting o buck that trend. Lens Type: Standard Lens. In Stock : PL/EF/RF/E On spherical lenses the angle of view does change slightly as you focus rack thus making for perspective/angle of view shift. I personally preferred the look of the flare when you use the lens stopped down. I wouldn’t hesitate to use it wide open. 1107-1170g / 2.44-2.57 lb depending on the mount. The bokeh is nice for a lens with a T2.1 aperture. What you will always see is some perspective shift which is normal when refocusing a lens. I personally didn’t like the lens flare from the Meike, but that is just my personal opinion. Each focal length is … We apolog... All of lens mounts are IN STOCK ! Meike 25mm T2.2 Manual Focus Cinema Lens for … Not many shooters want to purchase a single focal length prime lens. Due to the large size a... Meike Global strives to have advanced technology, reliable quality, scientific management, to provide customers the first-class products and services. This is one of @drewhytt favorite full frame cine lenses from MEIKE. Maybe they took my feedback seriously or perhaps there are discrepancies with the lenses. Comment - Let us know what you think of the Meike 50mm T2.1 FF Cine Prime below! The build quality and mechanics are really good, especially at this price point. What you need to clearly remember is that these are purpose-made cine lenses, they are not rehoused still lenses. This is Meike’s third full-frame cine lens and it now joins the 50mm T2.1 and 35mm T2.1. While it is far from optically perfect it strikes a good balance of price and performance. I can’t say for sure. Free shipping. As you can see in my tests, sharpness does improve as you stop the lens down. April 15, 2021 LiYunhong. The lens is fairly neutral when it comes to color, if anything it is slightly cooler in tone. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. As you can see, both lenses have fairly similar specifications. $898.00. There is quite a lot of competition in the full-frame cinema prime marketplace, especially for lenses that come in either PL or EF mount. Meike Cinema Primes - Duclos Lenses. With a image circle of 45mm,this lens compatible with Full Frame cameras,and it will be available in various lens mounts,including PL/EF/RF/E/L/Z. The focus and iris rings are nicely weighted. Again, this seems to be an issue that MEIKE has fixed. 5.0. After releasing a 50mm T2.1 full-frame cine lens in PL, RF, EF, L, and E-mount, Meike has announced a 35mm T2.1 prime that's available in the same mounts.. We were excited about the 50mm T2.1 announcement because the lens wasn't rehoused still glass with cine-friendly features like … Having an 82cm front filter thread allows you to use common-sized filters which is important if you plan on using this lens on mirrorless, DSLR, or small-sized digital cinema cameras that don’t have built-in ND. Meike 35mm T2.1 Full Frame Cine Lens Ef Mount. Meike 50mm t/2.2 Cinema Lens. Meike 85mm F1.8 Auto Focus Portrait Lens Large Aperture Lens for Nikon F Mount. Image shift is the change in location of a fixed point after a focus rack. Meike 35mm T2.1 Full-Frame Manual Focus Wide Angle Prime Cinema Lens for Canon EF Mount and Cine Camcorder ZCAM E2-F6, E2-F8, Canon EOS C500 Mark II, and S35 EOS C100 Mark II, EOS C200, Zcam E2-S6 6K $988.00 $ 988 . 40% Off. Certainly, the great majority of lenses have this issue. Extension Tube For Mirrorless Extension Tube For DSLR Adapter Ring. I did this because the industry is moving quickly and I would prefer to spend my money on something that is going to be slightly more future-proof than a lens that just covers an S35 sensor. The Meike cine lineup includes a 12, 16, 25, 35, 50mm T2.2 with a common 77mm filter thread and 80mm front diameter. Optically, performance should be similar to Veydra, if not better, since the facility manufacturing the lenses is better off. It makes a lot more sense to announce at least three lenses at once. That is reproduction size. With the industry pushing forward with larger-sized sensors, investing in full-frame and larger glass is a pretty solid investment. Meike 35mm T2.1 full frame cine prime lens The freshly released Meike 35mm T2.1 features everything you’d expect from a cine prime lens: 0.8 pitched gears, smooth iris, 330° focus rotation and a minimum focus distance of 33cm. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. Presale : L We apologize... Meike Full Frame Series 3* Cine Lens Kit ( 35mmT2.1,50mmT2.1,85mmT2.1 /Cine lens Kit ) The Meike 35mm T2.1 Full Frame Cine Lens is an impressive offering, especially given its relatively low entry cost. The Meike 85mm T2.1 Full Frame Cine Lens does a good job. The lens also has 11 aperture blades. The Prime 35mm T2.1 is Meike’s second full-frame cine lens which joins the 50mm T2.1. Lens manufacturer Meike has just announced the first lens in its new FF-Prime Cine Series: the Meike 50mm T/2.1. I don’t generally shoot on a full-frame digital cinema camera, but I have still personally chosen to invest in full-frame prime lenses. MEIKE will be releasing more focal lengths going forward. What will work for you will also depend on what camera you are using. Think of it like Macro. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. That is focus shift from intentional breathing design. I am here to announce the first cine lens of Meike in its new FF-Prime Cine Series:the Meike 50mm T2.1. However, the SLR Magic only comes in EF mount. Meike T2.2 Cine lens Kit ( Optional: Any 4 MFT Focal lengths: 12mm 16mm 25mm 35mm 50mm 65mm 85mm/Cine lens Kit with MIC) with a Cine Lens Case-Fast... View full … The reason this lens is less than $1,000 USD is that it is only T2.1 You usually can’t have your cake and eat it too. This makes choosing a cine prime lens a very difficult task. Again, in the real world, this is not something that I think most people will notice. newsshooter.com - The Meike 85mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. They have the same T-stop and are all relatively close when it comes to price. It should be in the same spot after you rack focus. Meike 50mm F1.7 Full Frame Large Aperture Manual Focus Lens for Sony FE E Mount Mirrorless Cameras A7RIII A7III A7RIV A7 A9 A7C NEX 3 3N 5 NEX 5T 5R A9II A6400 A6000 A6100 A6300 A6500 A6600 A7SIII 4.3 out of 5 stars 115 Cine Lens Set Set(8mmT2.9 included) Sony-E Fujifim-X M43 Full Frame Super 35 Frame 8mm Stills Lens Camera Cage Camera Flash Camera Grip Metal Hand Grip Battery Grip Other Accessories Adapters & Extension Tubes Others More Here are the lengths of the lens with different mounts: Just like the other lenses in the series, the 85mm feels solidly made (especially for a lens at this price). With an image circle of 45mm, this lens covers Full Frame sensors, and it will be available in various lens mounts, including PL/EF/RF/E/L/Z mounts. It’s also tenths of a mm so not overly noticeable. MEIKE. Meike New Arrival-Meike 85mmT2.1 Full Frame Cine Lens. Focus breathing is a change in image size so the size of object will get larger as it moves out of frame. Designed for Meike Full Frame Cine Lens-EF lens mountEach lens owns its unique place The 85mm T2.1 FF-Prime Cine Lens is available in Canon EF, Sony E, Leica L, Canon RF, and PL mounts. So how does the DZOFilm compare to the Meike when it comes to specifications and price? In certain shooting situations, the lens does lose some contrast when a bright light source is coming directly down the barrel. Wide-open at T2.1 you can see some chromatic aberration and color bleed on the bokeh, but only if you look very carefully. Meike has harnessed their photo lens manufacturing experience to bring the highest quality Micro 4/3 cinema prime lenses to cinematographers. The Meike 85mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. This is Meike’s third full-frame cine lens and it now joins the 50mm T2.1 and 35mm T2.1. With lots of relatively affordable full-frame digital cinema cameras such as the ARRI ALEXA Mini LF, RED MONSTRO VV, Canon C500 Mark III, Sony FX9, Sony FX6, Sony FX3, Kinefinity MAVO LF, and the Z CAM E2-F6 Full-Frame 6K and 8K now available, as well as a plethora of full-frame mirrorless cameras, buying full-frame lenses makes a lot of sense. Meike 16mm T2.2 Manual Focus Wide Angle Cinema Lens for MFT Mount W/Free PC Kit. Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm. In saying that, the lens is certainly no slouch at T2.1. Meike 50mm f1.2 Z-Mount full frame large aperture lens Lens Not Attached： MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera. Despite only having a T2.1 maximum aperture, the lens is still capable of creating good separation from your background and the bokeh is pleasing. This is the third lens in the series and it now joins the 50mm and 35mm T2.1. Sigma Art 50mm F/1.4 DG HSM Lens for Canon EF. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. 16mmT2.6,24mmT2.1,35mmT2.1,50mmT2.1,85mmT2.1,105mmT2.1,135mmT2.1. As I have already mentioned it will cover full frame sized sensors. This is Meike’s second full-frame cine lens and it now joins the 50mm T2.1. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. New! The barrel is significantly small enough that you can pull focus from infinity to the minimum focus distance by hand, but this does require a bit of effort. A lot of these relatively new lens manufacturers such as Meike and DZOFilm have made quality cine lenses available to the masses. Certain prime and zoom lenses work better together than others. Acceding to Meike, It has industry-standard 0.8mm pitch gears on the focus and aperture ring. Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm Buy three or more cine lenses to have a FREE lens case. The 85mm T2.1 tips the scales at approx. There is certainly a push by manufacturers to bring out full-frame and larger digital cinema cameras, so lenses that cover full-frame and larger sensors are going to become more popular. Just like the 35mm T2.1, there is nothing overly exciting about the lens, but it is a solid offering. It is possible to manually pull focus from infinity to the minimum focusing distance in one go, despite the large 330 degrees of rotation. A macro lens can be 1:1 life size reproduction but as you focus it can change the reproduction size. The Meike 85mmT2.1 Full Frame cine lens finally comes.This is the third lens in the series and it now joins the 50mm and 35mm. On Backorder Free Shipping. Shipping: If you wanted a faster lens and better optical performance then that usually comes at a cost. This is a sharp enough lens that you can certainly use it wide open. For a lens at this price, the breathing is still reasonably well controlled. Nice bokeh is something you want if you are purchasing a prime lens. A site for working professionals in the TV & Film industry. Like what we do and want to support Newsshooter? Perspective shift is the focal length of the lens being modified by the movement of the optics. or Best Offer. Despite only having a T2.1 maximum aperture, you can create some nice bokeh because the lens has 11 aperture blades. Meike Full Frame Series 3* Cine Lens Kit ( 35mmT2.1,50mmT2.1,85mmT2.1 /Cine lens Kit ) Buy three or more cine lenses to have a FREE lens case. The planned set will include: I’m not the biggest fan of companies trickle-releasing focal lengths. Meike Cine Prime FF 85mm T2.1 While it is far from optically perfect it strikes a good balance of price and performance. The MK-8mm f/3.5 Fisheye is also available for full-frame DSLRs, along with the sole autofocus option in their lineup, the MK-85mm f/1.8 for Canon EF. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. This is Meike’s third full-frame cine lens and it now joins the 50mm T2.1 and 35mm T2.1. The Meike has a larger focus rotation, it is available in more mounts, and it is cheaper. The Meike Prime 85mm T2.1 is currently on sale for $968 USD and it will start shipping on May 10th. 40% Off. I would liken the color tone to a lot of Zeiss lenses. The actual image circle coverage is 45mm. It offers good performance in a relatively compact and affordable package. All the tests were shot on the Kinefinty MAVO LF. The 85mm T2.1 lens … One thing I noticed is that the focus ring was noticeable better than the one on the 35mm T2.1 that I previously reviewed. $370.00. The mechanics and build quality are excellent for a sub $1,000 USD lens. Three of these cine lenses are being sold as sets on Meike Global. Lens Mount: Made For Micro Four Thirds Mounts. Introducing the first cine lens of Meike with the Meike Super35 Cinema Prime 35mm T.21 Lens (EF Mount). For a sub $1,000 USD full-frame cine lens the sharpness is more than acceptable. This is still quite a lot of weight for a small lens, however, it is still very manageable on most cameras. Meike has released the third lens in its full-frame cine line. Whether you find it distracting or not, I’ll leave that up to you. The Meike 85mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. It should fit in Meike’s line of seven full-frame cine primes. With a image circle of 33.6mm, this lens is compatible with Super35 frame systems such as the RED Komodo, Canon C500, BlackMagic Pocket 6K and may more. Meike Cinema Prime 8mm T2.9 $439.00. Meike has announced its 35mm T2.1 cine lens that covers full-frame sized sensors. It looks to be a good option if you are thinking about getting a dedicated cine prime lens, but don’t have a lot of money to spend. The markings on the lens are shown in both feet and meters, which is a little unusual. If anything, the lens is a little clinical and that may not be to everyone’s liking. It is nice and round and even when you stop the lens down it doesn’t turn into too much of a stop sign shape. Av... View full details $2,880.00 Meike Cinema Prime 12mm T2.2 $399.00. This comes as no surprise as most lenses are generally sharper once they are stopped down. The 85mm T2.1 consists of 14 Elements in 8 Groups. ... Full frame manual lens Standard-focal Lens Full frame automatic lens Cine Lens Wide-angle Lens Macro Lens Camera lens Full frame lens Fish-eye Lens. I tested out the lens by doing large focus throws with an electronic follow focus and there is definitely some breathing. Hongkong Meike Digital Technology Co., Ltd. Hongkong Meike Digital Technology Co., Ltd Menu. NOTICE: The E lens mount is out of stock currently,the estimated shipping date is in the late of May. On the 85mm T2.1, the infinity marking in meters and feet line up. The lens does have have a small amount of chromatic aberration when used wide open, but in real-world situations the visible chromatic aberration is very minimal. The lens joins the Meike FF Cine lens family (covers an image circle of 45mm) which now composed of 35mm, 50mm, and of course the 85mm. Please bear in mind that lens flare is very subjective. $216.00. It is nice and sharp and it produces nioce bokeh, however, I personally wasn’t a fan of the flare characeristics of the lens. Order now, your card will not be charged until it is ready to ship. The lens has an 82mm front filter diameter so you can easily attach common-sized filters. The 85mm T2.1 carries over similar characteristics in design, having the same aperture, 11 blade iris, 85mm filter thread, 330° … This allows you to use some clamp-on matte boxes with the corrector adaptor ring. I suppose this saves on making multiple versions and it helps to keep the cost down. Meike has officially released the 85mm T2.1 FF-Prime Cine Lens. Free shipping Free shipping Free shipping. I didn’t see any bokeh onion ring action like i did when I tested the 35mm T2.1. Also for full-frame cameras is the unique MK-85mm f/2.8 f/2.8 Macro lens, which offers a 9.8" minimum focus distance along with a 1.5:1 maximum magnification via the built-in magnification ring. The Meike 85mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. The iris and focus are nicely weighted and both of them move smoothly. I am here to announce the first cine lens of Meike in its new FF-Prime Cine Series:the Meike 50mm T2.1. Stopping down the lens to T4 to T5.6 does improve edge sharpness. The lens is being touted as an affordable, compact-sized, full-frame cine prime lens. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. The 85mm front lens diameter means you can also use clamp-on matte boxes with the appropriately sized step down ring. The angle of view is not overly effected in that case because it is flat field focus. The minimum focusing distance is 85cm (33.46″). The next evolution in the world of dedicated mirrorless cinema prime lenses. The Newsshooter forums have just launched. A slight change in focal length may happen if there is a floating element that moves and is not properly corrected for in the design. The PL-mount 50mm T2.1 FF-Prime Cine Lens is one of a series of Meike lenses featuring a 45mm image circle for full-frame sensor coverage. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. The lens design, according to Meike, is a dedicated one and not just a rehoused version of an existing stills lens. The Meike 85mm T2.1 cinema prime lens for full-frame cameras features 85mm front diameter, 82mm filter thread, 330-degree focus throw, and 11 blades iris. Dimension: 35cm*25cm*19cm The front diameter of the lens is 85mm. NOTICE: The L lens mount is out of stock currently,the estimated shipping date is in the early of June. The lens isn’t going to look as good as more expensive offerings, but none the less it is still impressive given its sub $1000 USD price. Meike expands its full-frame cine lens line with a new 35mm T2.1. As far as affordable Canon EF or PL mount cine prime options are concerned, lenses like the SLR Magic APO MicroPrime Cine lenses and DZOFilm VESPID 75mm T2.1 Lens are direct competition. Free shipping Free shipping Free shipping. This is mainly because the physical size of the lens barrel isn’t that big. Free shipping Free shipping Free shipping. The bokeh produced is reasonably nice and round and you can create some beautiful out-of-focus areas by using the lens wide open, especially given the 85mm focal length. In Stock : PL/EF/RF/L 00 Meike has done a really good job with this lens, and now that they have three lenses available you can at least buy a decent 3 lens set. On the 35mm T2.1 the focus ring had noticeably more friction when moving towards infinity than when it is moved back towards its minimum focus distance. The Meike 85mm T2.1 Full Frame Cine Lens is an impressive offering, especially given its relatively low entry cost. The complete set includes. This isn’t a fast prime lens, so I would expect the sharpness to be reasonably good, even when using it at T2.1. This new series is slightly different from the existing APS-C coverage lenses they already make. Meike 50mm T2.2 Cine Lens. Matthew is available to hire as a DP in Japan or for work anywhere else in the world. The flare is very harsh when dealing with direct lighting sources, and the off axis flare is not visually appealing.. The lens covers a large image circle of 45mm. Fixed Focal Length: 25mm Lens. No lens technically has zero breathing, but very good cinema glass has such minimal amounts that it is virtually impossible to see. The DZOFilm is lighter and it has more iris blades. At least there is now three lenses available, so it does mean you can have a basic set with the 35, 50, and now 85mm. As this lens is very much being targeted at solo shooters and owner/operators you will notice that the markings will appear upside down on the non-operators side of the lens. The 50mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. BEST BUDGET Cine Lens MEIKE 50mm T2.1 FFThis is by far one of the nest lenses I have ever tested and its price is astounding. This is not overly close, but it is fairly standard for a lens with this focal length. In summary, perspective shift is the effective focal length change (angle of view change) and focus shift is reproduction size of the object changing as focus moves. ** total_quantity ** | ** unit_price ** / ** unit_measure **, Meike Prime 35mm T2.1 Cine Lens for Full Frame Cinema Camera Systems, Meike Prime 50mm T2.1 Cine Lens for Full Frame Cinema Camera Systems, Meike Prime 85mm T2.1 Cine Lens for Full Frame Cinema Camera Systems, Meike Full Frame Series 3* Cine Lens Kit -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for EF Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for PL Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for RF Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for L Lens Mount -Fast Delivery, Meike Full Frame Series 2* Cine Lens Kit for E Lens Mount -Fast Delivery, Meike Full Frame Cine Lens Hard Case for PL Lens Mount, Meike Full Frame Cine Lens Hard Case for EF Lens Mount.
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